Online video makes the radio star.
April 30, 2012
An important landmark in the transition from childhood into adulthood is the point when you realize that not everything that is claimed in pop music lyrics is actually true. The same principle as ‘paper never refusing ink’ applies to lyrics. This thought struck me as I casually browsed through the JNLR survey on Irish radio listenership. Contrary to what Trevor Horn and his Buggles pal had claimed in 1979 it transpires that video did not actually kill the radio star. Rather radio is in rude health and it is the music video that has faced turbulent times over the last three decades.

Once the bedrock of the cash juggernaut that was music television through the 1980′s and 90′s the music video increasingly became marginalised. After that golden age the previously enormous production budgets began to shrink and videos became a rarity on the very TV channels that were originally built to house them. Towards the turn of the millennium viewers had become more discerning. Pop-culture and the next big thing in music was no longer something dictated by DJ’s, or latterly VJ’s, who pushed the message out to hungry ears. The audiences would no longer sit through hours of dross music (like their parents who listened under the duvets through the static to Radio Luxembourg) in the hope that something they liked might come up.
The internet had arrived and changed everything. The push from an all powerful hit-maker was now not the only show in town. The internet gave people the power to find what they liked rather than sit and be told. Faced with this fragmentation the video retreated, banished from television, unloved and underfunded.
The music video was in the doldrums, holding out for a hero. When the hero did arrive in the second half of the last decade it was in the form of broadband and its eager sidekick YouTube. If music television didn’t want the format any more then suddenly the internet did and the music video entered its second golden age. This time the content was not programmed by hipsters in MTV but by anyone with an internet connection. The internet brought democracy to the music video letting people watch, satirise and imitate whatever they wanted (and then as if to prove that democracy is flawed Justin Bieber’s song Baby got 731 million views).
Another thought that struck me as I contemplated the JNLR’s findings was how music radio stations remain relevant and current if they are no longer setting the agenda – it is their audiences who are discovering the new artists online. The answer came from a station rep who told of how they saw an artist, with an internet built fanbase, that their DJ’s had never heard of selling out Dublin’s O2 arena. This led to a panicked rejigging of playlists as the artists was shoehorned into heavy rotation. Cool now comes from the internet and the successful media outlets, and brands, are those who co-opt it quickest.
So, if in 1979 The Buggles had factored in the advent of the internet and its impact on the music video, (aside from being incredibly wealthy right now), they might have changed their song title to “online streamed video will make the radio star”.
Garret
Giving Back
December 5, 2011
After reading Claire’s post last week about how people are now donating more than ever before, I couldn’t help but notice charity in unexpected places. Small scale Samaritan is a blog that was set up with the goal of giving something back. In each post, a different item is described which is being given away to the person that wants it the most. Items include sunglasses, dresses and other random pieces once bought, but no longer needed by the owner. Whoever writes in with the most persuasive case is then sent the item. A nice way of doing good deeds – on a larger scale than most.
This year, Movember saw men both at home and abroad sprouting somewhat unsightly facial hair in aid of a good cause. In 2010, 12,700 Mo Bros and Mo Sistas raised €1.6 million to raise awareness of prostate cancer and to fund research in the area. The Movember website allows people to donate money, read the live ‘mo’ tweet stream and also find about more about men’s health issues. A good site, but a great cause.

It seems that now, more than ever before, it’s easier to give something back, with online channels facilitating both individuals and organisations to do good. The recently recorded charity single, tipped for this year’s Christmas no. 1, was put together when @BrendaDrumm crowdsourced volunteers through Twitter. So while we’re now donating more than in previous years, is it really true that we’ve become more generous, or is it simply because the opportunities for giving are more plentiful and engaging than ever before?
Whatever the reason, in a world of depressing statistics on soaring unemployment rates and a stagnating economy, this is one good news story.
-Carly
Creative Destruction
September 27, 2011
I first came across the term Creative Destruction when I read Alan Greenspan’s memoir, The Age of Turbulence (a quick Google tells me it was actually Karl Marx who came up with the term). The former Chairman of the United States’ Federal Reserve used the term to hypothesise that for economic markets to grow, existing trading methods need to be broken down and then rebuilt in new improved forms. Reading the book back in January 2008 it felt like reading the blueprint for financial success. I’m sure if I were to revisit the book now it would feel more like a blueprint for financial disaster. Context is everything.
I came across the term recently again as I dipped into John Hegarty’s book, Hegarty on Advertising. He defines Creative Destruction as the breaking down of old habits and practices that, in turn, create new and more powerful means of expression. He sets it in the context of various cultural revolutions through the ages, from Caravaggio to Elvis, from Michelangelo to punk, and applies it to modern day advertising, which he encourages to embrace technology and the new branding techniques and audience landscapes that come with it.
Last week announcements in the world of social media, were I guess, the latest form of Creative Destruction as both Facebook and Google moved to the next steps of their evolutionary processes. Indeed Facebook spell it out to us with the introduction of Timeline. And while a lot of the debate has focused on the corporate power plays of both of these organisations, the more fundamental point is that of John Hegarty. People, our consumers in marketing speak, are changing their behaviours every day and some companies adapt quicker to them than others. I’m told that Google+ has made 91 documented changes in its first 90 days of existence. Now a breakfast cereal mightn’t be able to do that, but it can evolve its communication because if not, relevance can be lost in this modern world very quickly.
I read yesterday that in the world of marketing, Google is currently the most desired company to work for and on some levels one can see why. Yet their world, all encompassing in so many ways, is only part of the picture in others. There have been more water cooler conversations about Downton Abbey in the office this week than Google and it’s the skill of understanding how all consumer touchpoints come together that give a broader perspective and understanding of the world that makes media the intellectually challenging and fun environment of which Google and Facebook are but an important (if rather sizeable) part.
Tim
The Culture of Jedward
May 17, 2011
Jedward – nil points.
Well, not quite, but a disappointing result all the same. After so much hype, our favourite twins finished 8 out of 25 last Saturday on the Eurovision. Despite being one of the top search terms over the past couple of weeks, Jedward failed to meet expectations. Not only is this disappointing, but also a little surprising. I know I’d give them my vote, why wouldn’t my European counterparts do the same?!

The problem, I feel, lies somewhere in the complicated world of culture. Often, something which goes down a storm in one country just doesn’t quite work in another. This is something of relevance not only for Eurovision acts, but also for marketers. During this year’s SuperBowl, GroupOn ran an ad featuring actor Timothy Hutton explaining that although the culture of Tibet is in trouble, its people can still “whip up an amazing fish curry”. The ad, watched globally, caused outrage, with thousands of complaints relating to its cultural insensitivity issued.
Despite missing out on Saturday’s top spot, however, Jedward helped the Eurovision reach a record number of Irish viewers this weekend. The contest, which ran on RTÉ One from 8:00 – 11:27pm was watched by an average of 1,174,300 – a figure higher than all the previous contests since 1997. Jedward are also currently rising high in download charts not only in Ireland, but also across Europe .
Perhaps Jedward’s loss lies more in complicated European politics than in cultural differences.
Either that, or people just didn’t get it. Surely not?
-Carly
‘When money’s tight and hard to get…’
April 17, 2011
Here’s a thought. And here’s a place to share it too. What if consumers. Wait. Are people consumers? Or customers? Or just people? It bothers me that I’m not sure, but I’m sure I’m not sure. I had a good conversation with a friend the other week who extolled the virtues of owning up when you don’t know something, which sounds like good advice to me. And what do we ever do with the virtues of things except extol them? In fact, I’ve rarely extolled anything other than virtues.
It was Flann O’Briens death-iversary the other day in case you’re wondering what happened there.
Back to my thought – and we’ll go with consumers – what if consumers don’t really tell us anything? And they don’t by the way. What if a rhetorical question wasn’t rhetorical. I’m reminded of a research group on sponsorship I attended a while back and the group were asked what they would like to see the sponsor do. They were completely nonplussed. They didn’t get it, they didn’t have any idea what they’d like to see from the sponsor – and why would they? Which reminds me further of the apocryphal quote from Henry Ford. He said if you’d asked people what they wanted before the invention of the motor car, they’d have asked for a faster horse. And by god I’d like a horse with air-con, power steering and a decent sound system.
Consumers won’t tell us what they want. And arguably the more you ask them, the further you get from the real answer. And isn’t that the rub? It’s also a bit of a linguistic theory – Saussure’s ideas of signifier, signified and meaning. The idea that the words we use to represent things are arbitrary, but they’re associated with a common meaning. But how common is that meaning if that meaning could be different to different people? I mean is my colour red, the same as your colour red? What if I describe something as smelling red – or is that just synaesthesia?
We have to be grown ups about understanding consumers – observe them and figure it out. That’s our job and that’s the fun of it. If they just told us it’d be very boring anyway.
Back when I first got into media I remember reading a year review in one of the marketing magazines where they asked agency heads to speak about the year to come. And I remember Pat Donnelly saying people needed to be less constrained by research, research, research – instead they needed to start trusting their instincts and being bold and brave. And I remember feeling extremely indignant at the time, thinking – typical – sure if the research doesn’t tell you what you want to hear, of course, ignore it and pretend that you’re justified in doing so.
And now I’m not so sure.
I think media agencies need to start having confidence in their convictions. Just because we’ve more data and facts and figures than anyone else, we become too reliant on them. Creative agencies need to be more thorough, logical and back up their reasoning (for trying to flog expensive TV production jobs). And media agencies need to un-clench and borrow a bit of confidence from their colleagues in creative.
And, and, and.
And if I was any kind of slave to convention I’d tie this all back up in a neat bow, re-referencing Flann. But I’m better than that, I’m able to resist – and sure after a pint of plain, that’s probably what he’d have wanted anyway.
John.
Consolidated ratings and the council of Trent…
March 29, 2011
Blame this blog post on a hungover Friday. My mind goes to odd places at such times…
Where to begin? A friend of mine works as a vision mixer in RTE TV. Vision mixing is like a live version of editing, with a director shouting at you through a headset to cut and transition to and from different camera angles and VTs. So she works on live TV programming – like the News, current affairs shows and live sport. Champions League weeks are busy for her, as are elections.
The other programme she also has to work on is Mass. Mass has to be broadcast live as the miracle of transubstantiation must be seen live to be experienced. So you might be out on a Saturday night having a pint with her and she’ll make her excuses as she’ll be up early to cover Mass in the morning. It was the Council of Trent in its’ 13th session, ending 11th October 1551, which officially approved the term ‘transubstantiation’ (as opposed to ‘consubstantiation’). And which also, unofficially, cut short my friends’ Saturday nights on occasion.
But do people actually watch Mass live? Or do they record it and watch it later – and therefore miss out on experiencing the miracle? Well, since ‘consolidated ratings’ (recorded on your NTL / SKY box and watched within 2 weeks) were introduced to the Nielsen system, we can now answer such burning questions. And the answer is, by and large, no, people don’t record Mass. They watch it live. Only 3 transmissions of Mass, since the introduction of consolidated ratings, have shown any impacts for non-live (consolidated ratings) – 3rd Oct, 1st Jan, 6th Feb (total of 1,400 impacts).
Roger Chilids, editor, RTE Religious Programming, kindly answered my emailed query on the subject. As to whether it has to be watched live, he said:
“I’m no theologian, but that’s certainly the advice I’ve always been given. Mind you, I also find that the priest or archbishop celebrating is usually the first to ask for a DVD. I’m not sure how that works – a repeat viewing of the miracle!”
When Sky and NTL introduced their Tivo style devices into this market, a lot of us thought that this would be a significant blow to spot advertising on TV. Why would anyone watch ads on TV if they could record everything and fast forward through the ads? There’s many reasons as to why people continue to watch ads, even with the proliferation of these devices – but bottom line is, they still do. In fact for Jan-Feb this year, for the total market, only a half of a percent of all ratings were ‘consolidated’ (non-live). Studies by SKY TV would also show that when people invest in the hardware and subscription for their home (SKY box and station package) they watch more TV overall, be it recorded or live – just more. So in fact their advertising exposure increases as a result. Going out being the new staying in these times and all that.
So there you have it, bit of a circuitous journey, but thanks for taking the time!
Amen.
Online Rewards
March 22, 2011
Each day it seems as though there is a new statistic on how big and powerful Facebook, blogging and other forms of online communication have become. This weekend it emerged that Facebook now has 500 million users and is the most visited site in the U.S, ahead of even Google.
The facts are there. What seems to be missing, however, is any kind of explanation as to why so many of us have become part of the ever-expanding online community. Guardian columnist, Oliver Burkeman offers an interesting suggestion. In his eyes, it’s all about reward. Long before Mark Zuckerburg was ever born, it emerged that people repeat behaviours that they find rewarding. According to Burkeman, we click compulsively because there might or might not be a reward – a new email, a new blog post – waiting for us. In other words, technology is merely facilitating our appetite for ideas, suggestions and messages.
Social networks and blogs offer not only information, but also the opportunity to present ourselves in the best light possible. It’s all too easy to de-tag unflattering photos and let others know about what trendy things we’ve been up to at the weekend. Aoife recently blogged about how Facebook places now allows users to let friends know how much of a “social bee” they are in real time. This is rewarding too.

And let’s not forget the more recent advent of tangible rewards being offered by the likes of Facebook places and other geotargeted promotions. Money-off offers and freebies further incentivise being part of an online society.
No matter how you look at it, social media is rewarding. Who can argue with 500 million people?
-Carly
B&Q Flashmob for Comic Relief
March 8, 2011
In a lovely initiative that was part team-building, part customer- delighting, and part charitable contribution, B&Q executed a UK-wide synchronised flash mob last Saturday in aid of Comic Relief. Flash Mobs are nothing new, but this, I think, qualifies as taking it to the next level!
Claire
Inspiration
January 11, 2011
Sometimes the established experts, the industry moguls, the figure-heads are inspiring. Sometimes it’s the other end of the spectrum that’s inspiring. The people just starting out in our business, trying to get their careers going, full of enthusiasm and passion for their future.
I’ve been fortunate enough to work in some successful companies who’ve experienced rapid growth and had to take on a considerable number of new staff – often at entry level. And for me, these are the inspiring people. At OMD we took on some graduates during 2010 and the process of recruiting – gathering CVs, calling people for interviews, talking to them about why they want to get into advertising – reminded me of the depth of talent out there. There are so many smart, motivated, interested and interesting people out there.
It’s inspiring and energising to meet these people. It reminds you how lucky you are to be doing a job you like and that lots of others would love to be doing. Nobody wakes up in the morning with a smile on their face, leaps out of bed and skips to work humming a tune. But now and again it’s good to be reminded how much we’ve got to be grateful for. It also kind of reminds me why I wanted to get into advertising – and God knows I wasn’t half as savvy and prepared as graduates seem to be now. It gets me to see our business with fresh eyes again.
We’re actually recruiting for graduates at the moment and I’ve been in touch with the likes of Ciaran Doyle in Smurfit and Rosie Hand in DIT. They’ve been extremely helpful and as ever there’s a supply brilliant people out there. Yes, recruiting can be a chore, particularly when you’re looking for experienced people and they’re just using you to leverage more money where they are. But it can also be pretty inspiring sometimes.
Please spread the word that we’re recruiting – if you’d like a job spec or want to apply drop me a mail at john.clancy@omd.com or tweet us at @omdinfluentials
Owning Wikipedia
December 13, 2010

Anyone who has recently visited Wikipedia will have noticed a new addition to the site. In order to raise funds, the founder, Jimmy Wales is appealing to those who use the online encyclopedia to finance it through donations. A blog post I recently came across outlines a possible explanation for this. Wikipedia is unique, as anyone who uses the site has the opportunity not only to read information, but also to upload and edit content. In other words, consumers are owners. Because of this, people shouldn’t mind funding the site. They are, after all, those responsible for its upkeep.
This reminds me of the concept known as the ‘IKEA effect’. This is the idea that if someone has contributed to the production of a something they have purchased, they will place greater value on that product. Once someone has spent a few hours assembling furniture for example, they will view their bed/wardrobe, etc. as that bit more special than one which has been put together for them.
What this means to me is that the more engaged someone is with a product, the more they will identify with and care about it. This is nothing new, but it is something worth thinking about. There is huge excitement around social media as a way to get people involved with a brand. Sponsorship continues to be an important way of making an emotional connection with a target audience, whether it’s through music, sport or a more niche event. Although brand loyalty continues to be a major objective for many businesses, both small and large, companies should consider setting their goals higher. Brand ownership means consumers are not only loyal users, but also a part of the brand itself.
Carly


